They are the old linen cloths or diapers from my family's 1950s wedding trousseau, now unknown objects, which by changing function become the surface on which I deposit my intimate emotional notes through a sort of symbolic vocabulary. The choice to use ancient sanitary pads, objects full of meaning, history and poetics, is closely linked to the feminine dimension, just as the sewing combined with intaglio prints and writing want to give the idea of a sensitive, intimate, personal dimension, aimed at dialogue with the Other